#128 Another Wyoming SunsetNovember 15th, 2010
I’ve mentioned that these works
Are sketches or studies, and this is certainly the case here. I wanted to find out how emotional responses would change as color is removed from a scene, especially one that had been filled with very wild color to begin with. I took nearly every color away from this sunset. No greens, no yellows, nor browns (which, in fact, are a class of yellows), leaving only a bit of red, a touch of blue and a good deal of what we photographers call ‘tonal values;’ that is to say, blacks and grays. Compare this photograph with this one, which was made in the same place and only a few minutes earlier, but it was developed in a wholly different way.
I think here you can see the importance of the palette of colors used by an artist. Another example to illustrate: Monet’s painting technique is not greatly different from Van Gogh’s, but the emotional impact is much changed by the palette of each painter.